(Hopeloos) romantisch

maart 26, 2025maart 26, 2025 — abstract, abstract werk, art, betekenis, kunst, landschap, semiose — 5 min read

Soms heb ik het vermoeden dat veel landschapschilders erg romantisch zijn en dat hun landschappen doortrokken zijn van een zweem van melancholie. Nu is melancholie een verschijnsel dat aangeeft dat je als het ware ‘treurt’ om iets wat verloren is gegaan. Iets wat er […]

Landschap op papier met foto

maart 13, 2025maart 13, 2025 — art, landschap, painted landscape with photo, Photography, sumi-e — 1 min read

In 2021 heb ik drie foto’s gebruikt om op grootformaat een landschap te schilderen: 75,5×55,5 cm. De foto’s zijn uitgangspunt voor de invulling van het landschap dat zelf helemaal fictief is. Pigment en sumi-e op papier. Alle werk is te koop en de prijs […]

Schotland – landschap

maart 13, 2025maart 13, 2025 — art, landschap, painted landscape with photo — 1 min read

Vijf landschappen met een foto als uitgangspunt – de foto’s zijn gemaakt door Joke Voorhans in 2017. De foto is het begin van dit landschap dat geschilderd wordt op papier. Vijf landschappen 50×65 cm pigment, sumi-e op papier en een foto. Geschilderd in 2017. […]

Gieveld ruïne

maart 13, 2025maart 13, 2025 — art, landschap, painted landscape with photo — 1 min read

Drie series landschappen met een foto als uitgangspunt: 2014 Pigment en sumi-e op papier en foto 50×35 cm (3 landschappen) 2018 Pigment, inkt en sumi-e op papier en foto 56×42 cm (7 landschappen) 2018 Pigment,inkt en sumi-e op papier en foto 48×36 cm (7 […]

Landscape of the soul

februari 28, 2025maart 1, 2025 — art, landschap, Lyrik, painted landscape with photo, poetry, sumi-e — 8 min read

Poëzie en werkelijkheid “De zee is een dood het wiegelied poort naar God emotie die de ziel bindt tot de sprong” “Het menselijke leven kent tenslotte kanten die alleen met poëtische middelen adequaat uitgebeeld kunnen worden” A.Tarkovski De werkelijkheid is te complex en te […]

I’m started painting in 1972. Two teachers, both artists, inspired me to choose my own themes and I experienced with different materials. They invited me to make big paintings on the walls of the class-room. That was also the first time I discovered the way of painting with pigments. In 1987-1988 I decided to paint only with pigments on a water-base. I’m using these pigments because the Japanese painter Kaii Higashiyama inspired me to do so. These pigments are mixed with casein or/and with an acrylicglossbind. Then diluted with water. Ten years long I only used the colour blue. Later I changed my pallet. In 1995 I discovered that the landscape was my most important theme and that I got my inspiration from the experience of the landscape. My reflection on this landscape has never stopped since then. I’m interested in a possible sacral dimension of the landscape, therefore I call myself a religious painter. The light in the landscape is for me a metaphorical reference for this sacral dimension of the landscape. I’m inspired by the work of Anselm Kiefer, Casper David Friedrich, Armando and Kaii Higashiyama, Van Gogh and many others. My landscapes are a testimony of freedom. Freedom of mind, freedom of experience. They are an attempt to express the experience of the real landscape in a painting. In a time where the real landscapes are “hiding” because our minds are more and more entangled in virtual reality-landscapes my paintings try to reveal the power of the real landscape -especially when you walk in it. Often I use photo’s. Sometimes these photo’s are old (1920-1940) and they give witness of a landscape that has gone. A history that has passed. I use also photo’s I made by myself of interesting landscapes like rivers, moors and mountains. These photo’s figure as a starting point to paint a totally new landscape. My paintings express the process of giving meaning to the landscape and the special attention I give to the horizon. Literal and metaphorical spoken heaven and earth are meeting in this horizon. The horizon can therefore be a starting point to think about your life: where do I come from, where I’m going to, and so on. Painting is for me a search for meaning and the landscape can be metaphorically speaking a road to self-understanding. I like the unexpected possibilities in painting (with water-based paint). I use the name canandanann for many years. It is a combination of two names and two myths (one from Mexico about the creation of the moon and one from Ireland about the forefathers of the Celts). It express also the importance of the poetical truth in life next to other kinds of truth. In different websites I have shown this. During the years I had small exhibitions in Amsterdam, Badhoevedorp, Normandy, The Hague, Deventer, Malden, Den Bosch, Münster and Nijmegen.